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Intro


 

 

 

 

 

CONDUCTOR

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Intro


 

 

 

 

 

CONDUCTOR

 

Praised by critics and audiences for his sensitive and lyrical conducting and his ability to “provide solid musical support from the podium (The Sondheim Review),” Maestro Andy Anderson has established himself as a conductor with “no shortage of talent on display” (Kansas City Star).

 
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Story


“Andy Anderson led the slightly reduced orchestra with subtly and care, allowing the beautiful melodies to flow in a totally idiomatic fashion and never overpowering the singers.”

                                                George Dansker, Opera News

Story


“Andy Anderson led the slightly reduced orchestra with subtly and care, allowing the beautiful melodies to flow in a totally idiomatic fashion and never overpowering the singers.”

                                                George Dansker, Opera News

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Ride


Guest Conductor Andy Anderson adds to the overall effect, wielding his baton like a magic wand and leading the Nashville Symphony in a lively performance.”

                                                Amy Stumpfl, The Tennessean

Ride


Guest Conductor Andy Anderson adds to the overall effect, wielding his baton like a magic wand and leading the Nashville Symphony in a lively performance.”

                                                Amy Stumpfl, The Tennessean

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Hike


“Conductor Andy Anderson is a find, bringing out the beauty of the score and keeping things moving and balanced throughout the opera.”

                    Sarah Bryan Miller, St. Louis Post-Dispatch

Hike


“Conductor Andy Anderson is a find, bringing out the beauty of the score and keeping things moving and balanced throughout the opera.”

                    Sarah Bryan Miller, St. Louis Post-Dispatch

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End


 “Andy Anderson conducted skillfully, eliciting a lush sound from his pit orchestra and

     shaping the songs with the actors, rather than merely accompanying them.”             

                    Christopher Weimer, The Sondheim Review

End


 “Andy Anderson conducted skillfully, eliciting a lush sound from his pit orchestra and

     shaping the songs with the actors, rather than merely accompanying them.”             

                    Christopher Weimer, The Sondheim Review